allowing streams to play in phoenix viewer second life

I thought 2019's winner, 'Arcade' was too much of a dirge to have a shot I thought 2021's winner, 'Zitti E Buoni' was way too unmelodic for widespread acceptance. I'm given to the bops - the simple, infectious, up-tempo dance floor hits - while the ballads, anthems and metal (well, what passes for metal on Eurovision, anyway) tend to leave me cold. I'll make some highly opinionated picks, but just know that my track record is spotty. There follows a cheat sheet to the twenty-five songs in contention this year. Every performance previewed, alongside strong, indefensible opinions But rest assured, what matters is the popular vote, which comes at the very end, and will proceed to pulverize the jury rankings into dust. You will be tempted to pay heed to these votes, as the show proceeds to make a meal out of them. It's as if Eurovision pioneered the interminable Zoom call, years before COVID would go on to habituate the world to it.įirst, the hosts ask the juries of each country to cast their votes - a succession of video calls marked by lags and glitchy connections. The final hour of the broadcast is all about the voting, which is long, awkward and needlessly complex. Don't worry it won't become a Whole Thing, it's just a device to introduce an annual Eurovision staple - the video 'postcards' that introduce each performance, which this year consists of drone footage soaring over various Italian landmarks. The broadcast kicks off with a vignette in which a Geppetto-like inventor creates a little flying robot who is determined to bring to the world joy and life and peace and music and blah blah blah. The theme of Eurovision this year is 'The Sound of Beauty,' because. Listen to Pop Culture Happy Hour on Apple Podcasts and Spotify. A pompadoured prince of patter, Weir knows and loves Eurovision enough to supply newcomers with useful context and history while tossing out in-jokes for the die-hards. In a gesture toward the concept of sheer inevitability, Peacock has Johnny Weir hosting its live Eurovision coverage and, based on his hosting of the two Semi-Finals earlier this week, he'll be great. I mean, makes sense: It's just been that kind of year, you know? Take the bops where you can get them, I say. Dance moves, if any, are scaled way way back in favor of posing defiantly.Įurovision 2022 is heavy on melancholy ballads and light on defiant, life-affirming anthems.

Anthems: A subcategory of Ballads, you'll know you're watching an Anthem if it's a stirring, bombastic, heedlessly over-the-top barn-burner about standing up, or looking up, or holding up, or not giving up - something with 'up,' anyway.

No dancing, no backup dancers, just the performer planting their feet and emoting their guts out in front of a light show that bathes them in (usually) the Purple Glow of Performative Melancholy.

Ballads: Slow, emotional, achingly sincere.

Generally involve backup dancers who haven't had a carb since the London Olympics.

Bops: Up-tempo, egregiously catchy tunes made expressly for the darkest, sweatiest, stickiest dancefloors of Ibiza.

The song stylings of Eurovision historically break down into 2.5 general types: (Check out Latvia's doomed entry, a gleefully goofy song about veganism, organic produce, the environmental benefits of reusable grocery bags and also, not for nothing, oral sex.)Įurovision hosts Mika, Laura Pausini and Alessandro Cattelan.

The 20 other countries in the mix had to duke it out in two semi-final rounds on Tuesday and Thursday, leaving 15 competitors behind them in the glittery dust. automatically scored a slot without having to compete in the semi-finals the so-called Big Five give the most money to support the Eurovision broadcast, and privilege has its. As they do every year, five of those countries - France, Germany, Italy, Spain and the U.K. Twenty-five countries are competing in Saturday's Grand Final. Eastern time on Saturday, May 14, originates from Italy this year because it's the home of last year's winner, the metal-adjacent band Måneskin, who'll return to perform their latest single during this year's show. will be streamed live on Peacock starting at 3:00 p.m. The three hour broadcast, which in the U.S. Peacock will stream the 66th Eurovision Song Contest live on Saturday, May 14th at 3 p.m.

Allowing streams to play in phoenix viewer second life